PHANTASMIC RADIO SERIES

He has also written two gastronomic autobiographies, Autobiographie dans un chou farci (Mercure de France) and Métaphysique de la miette (Argol). Among his theoretical works are The Aesthetics of Excess (SUNY) Phantasmic Radio (Duke) Breathless: Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia (Wesleyan) Feast and Folly: Cuisine, Intoxication, and the Poetics of the Sublime (SUNY) Varieties of Audio Mimesis: Musical Evocations of Landscape (Errant Bodies) and most recently Zen Landscapes: Perspectives on Japanese Gardens and Ceramics (Reaktion). Weiss is committed to both interdisciplinary research and experimental performance across the media.

The Development & Alumni Relations TeamĪllen S.

Clive Davis Institute of Recorded Music.

Rita & Burton Goldberg Department of Dramatic Writing.

Maurice Kanbar Institute of Film & Television.

Teeradakorn, Frédérique Gagnon, Emily Turner, Nina Schouten, Egle Petraskaite, Miron Galic, Callum Dean, Michelle Lin, Michiel Terpelle.Īll efforts have been made to act within the framework, and in accordance with, the fair use policy. Jannete Mark, Tjobo Kho, Nicha Keeratiphanthawong, Darío Dezfuli, Alex Tanazefti, Tanat Thanks to Anniek Brattinga, Loes Claessens, Danny van den Dungen,Īngie Keefer, Paul Elliman for the conversations and most ofĪll to the contributors: Yunie Chae, Hannah Sakai, Marcus Wachter,

“Sound”, “Recording”, “Hearing” and “Listening” Images: New York Public Library Picture Collection, from the folders

PHANTASMIC RADIO SERIES

“An Phantom Voices” is a project by Gerardo Madera and Tabea Nixdorff, developed as a series of events at Werkplaats Typografie to be broadcasted on Phantom Radio, the radio plattform of Werkplaats Typografie, including contributions by participants of Year 20 and 21.Įvents take place every first week of the month, beginning with the sirens on Mondays in Arnhem, the Netherlands.Ĭoncept, Introductory Texts, Copy Editing: Gerardo Madera, Tabea Nixdorff meetings supplied with a carpet by Nicha Keeratiphanthawong and Tabea Nixdorff.THEN SING THE PITCH THAT PERSON IS SINGING, CHANGE YOUR MENTAL IMAGE TO ANOTHER PERSON AND REPEAT UNTIL YOU HAVE CONTACTED EVERY PERSON IN THE CIRCLE ONE OR MORE TIMES. GRADUALLY FORM A MENTAL IMAGE OF ONE PERSON WHO IS SITTING IN THE CIRCLE. OPEN YOUR EARS GRADUALLY AGAIN, LISTEN FOR THE CALM. IT MIGHT BE A GENTLE WIND, A GUSTY WIND, A HOWLING WIND, OR SOME OTHER KIND OF WIND. LISTEN AS THE SOUND OF YOUR BREATH TURNS INTO THE SOUND OF WIND. AMPLIFY THE SOUND OF YOUR BREATH BY PLACING THE PALMS OF YOUR HANDS OVER YOUR EARS. BEGIN BY LISTENING TO YOUR OWN BREATHING.

Sonic Meditation meetings 1 are inspired by Pauline Oliveros, who introduced them as non-verbal group work, 2 as a way of attuning yourself to others, through one's own voice as well as exercising to listen to each other without the pressure of daily speech, often being marked by gendered parameters. This month, we followed the Sonic Meditations “Breathe In Breathe Out' and 'Mental Image” until the sound of the sirens went off.

Phantasmic radio